If I had ended each volta section with |] then the playback might have worked better than it did when I I was trying to get the same effect with the “volta” markings (a bit of new terminology for me). that using ossia staves allows one to write a tune once and indicating just those bars that vary makes the music more understandable. ![]() Thanks everyone for all your comments! The discussion about ossia staves was particularly interesting. If the [1, [2 thing would work in the middle of a part.Īre there any ABC tools that allow that? ↳ It seems to me that the music is more compact and easier to see that only two bars have changed Without using the [1, [2 marks, the only way to write the tune is to write out the 8 bars of the B part twiceĬhanging bars 5 & 6 in the second 8 and keeping bars 1,2,3,4,7,8 the same. (I also got the key signature wrong in one of them, writing Emaj when it should have been Emix). I just posted two tunes like that and faced ridicule for the result. (except for the double bar line), but apparently the tool that converts ABC to midi for playback, If I use [1 || [2 || in ABC the rendered sheet music looks just like those books do This can also be use to show a variation. with 1 -, 2 -)īut then bars 7 & 8 follow them. Two versions of bars 5 & 6 are marked like 1st and 2nd endings (i.e. I have seen such tunes written (for example in Gerry O’Connor’s banjo book), where the ![]() Sometimes in a reel, for example, bars 5 & 6 of the B part are played differently in the two repeats.
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